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"identity"

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Semiotics of the Manila Shawl (mantón de Manila): From Historical Transformations to its Present Identity Function
Ana Velasco Molpeceres, Carmen Baniandrés, María Prieto Muñiz
EPISTÉMÈ 2025;35:2.   Published online September 30, 2025
DOI: https://doi.org/10.38119/cacs.2025.35.2
This article examines the Manila shawl (mantón de Manila) as a semiotic object in motion, whose trajectory—from Chinese silk to contemporary Spanish fashion—offers insights into processes of cultural hybridization, early globalization, and identity re-signification. Through a historical and semiotic analysis, it highlights how the material transformations of the shawl (embroidery, colors, fringes, uses) correspond to shifts in its symbolic value: from colonial exoticism to national myth, from festive accessory to costumbrista emblem, and from traditional garment to a key resource within the cultural and fashion industries. The study also includes contemporary examples (Juana Martín, Palomo Spain, Rosalía, Queen Letizia), showing how the shawl articulates tradition and modernity, authenticity and market, nationalism and cosmopolitanism. In conclusion, the Manila shawl is not only a hybrid object but also a sign in constant re-signification, a cultural “super-iconeme” that condenses collective imaginaries while maintaining its relevance in the 21st century.
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Dressing the sign: Semiotic analysis of attire and fashion in the Universe of Tintin
Marina Bargón García
EPISTÉMÈ 2025;35:1.   Published online September 30, 2025
DOI: https://doi.org/10.38119/cacs.2025.35.1
This article examines clothing in The Adventures of Tintin from a semiotic perspective, considering dress as a system of signs embedded in the visual logic of comics. Building on Pierre Fresnault-Deruelle’s pioneering studies (1976, 1999, 2002, 2006, 2012) and later contributions by scholars such as Groensteen, Marion, and Floch, the analysis explores how the aesthetics of the ligne claire transform garments into both narrative and symbolic operators. The results identify seven functional categories of dress—core attire, everyday wear, professional/functional outfits, disguises, cultural costumes, ceremonial garments, and altered clothing—which serve as identity anchors, indicators of action, or markers of cultural otherness. Tintin’s consistent base attire ensures visual coherence, while subtle variations introduce narrative nuance and contextual adaptation. The study concludes that clothing in Hergé’s work is far from decorative; it functions as a central semiotic device whose stability and transformations reinforce the character’s iconicity and his status as a timeless cultural hero.
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This study analyzed The Curious Case of Benjamin Button by integrating corporeal narratology with Greimas’s semiotic square, examining how temporality and identity are constructed and deconstructed through the body. Benjamin’s body serves as a semiotic field where oppositions like “youth/old age” and “life/death” are generated, clash, and collapse. The semiotic square revealed how these binary structures become unsustainable and the internal disintegration of the semiotic system, highlighting both the model's utility and limitations in complex corporeal narratives. Corporeal narratology emphasized the body's role as an active agent that embodies and enacts the collapse of meaning, contributing to the disintegration of narrative structure. Ultimately, the analysis demonstrated that body, time, and identity are core semiotic forces that uphold and undo narrative structures.
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Interculturalities in the Digital Age
Alexander Frame
EPISTÉMÈ 2025;33:1.   Published online March 31, 2025
DOI: https://doi.org/10.38119/cacs.2025.33.1

The digital age, with its ubiquitous social media, has transformed sociability and socialization, creating opportunities for accessing diverse knowledge, but also new symbolic boundaries. In a connected society shaped by identity politics, this article proposes an intercultural reading of social tensions relayed online. It advocates an interpretive approach to intercultural communication, understanding cultures and identities as resources individuals use to negotiate and co-construct meaning in interactions. Based on examples of social tensions relayed or seemingly aggravated by digital media, it distinguishes two forms of interculturality in this context: "forced otherness," where individuals are reduced to stigmatized identities, and "unconscious otherness," where algorithmic personalisation is used by individuals to support particular worldviews on given topics. The article draws on theories of conflict mediation, identity, and intergroup relations to analyse and potentially mitigate social tensions in the digital age, emphasizing the need for media literacy and a nuanced understanding of intercultural dynamics.

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